The Grey Between Us

In the project room, two approaches to grey are set in conversation. Henning Sørgaard scrapes and erases his monochrome surfaces toward an accumulated quiet; Jonas Reinhardt builds his in hard-edged divisions, matte and exact.

Hung concurrently with Liv Dahl's exhibition, the pairing reads as a footnote on the gallery's longest-held colour. One painter arrives at grey by subtraction, the other by structure; the room holds the distance between them.