Yuki Tanabe presents a new body of wood-fired work, the ash glaze drawn taut over forms that lean toward the skeletal. The title names two materials the clay aspires to: the porousness of bone, the darkness of iron.
Fired over many days, each form carries the mark of the kiln as weather. Tanabe arranges them sparely, allowing the surfaces to register heat and time without commentary, quiet bodies set down in the room.
